Director | Christophe Loizillon |
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You have to see Christophe Loizillon’s film because it proves – if proof were still needed – that the duration, the length of a film is never a guarantee of the complexity of its idea. Ten minutes, ten short minutes and a single sentence uttered are enough for the director to convey the wealth and beauty of George Rousse’s work. A simple, unpretentious film that uses all the cinematographer’s evocative power to portray the artist’s work, his commitment, his origins and what moves him. A lesson in filmmaking – a gem!
Sylvain Bich
Film projectionist
You have to see Christophe Loizillon’s film because it proves – if proof were still needed – that the duration, the length of a film is never a guarantee of the complexity of its idea. Ten minutes, ten short minutes and a single sentence uttered are enough for the director to convey the wealth and beauty of George Rousse’s work. A simple, unpretentious film that uses all the cinematographer’s evocative power to portray the artist’s work, his commitment, his origins and what moves him. A lesson in filmmaking – a gem!
Sylvain Bich
Film projectionist